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LET IT SNOW LET IT SNOW LET IT SNOW REMIX CODE

LET IT SNOW LET IT SNOW LET IT SNOW REMIX CODE

Int'l St'd Musical Work Code #T0700953929

This is the second song where a character makes clothing changes throughout (" Disco Miniature Golfing Queen").

This is the tenth time Isabella sings a line by herself at one point of the song (" Yellow Sidewalk", " Danville for Niceness", among others), fifth song she is the main singer (" City of Love", " S'Winter", "Yellow Sidewalk", " Isabella's Song"), and second song sung by her that is (originally) not in an episode ("Isabella's Song", which is from " The Dad-inator").

This song has background vocals by Danny Jacob ( ).

This is the first song to be a cover of an already written song.

In the Castillian Spanish and Latin American Spanish versions the album version was dubbed, but the song isn’t dubbed in the episode.

In many languages, this song was never dubbed.

This is the first time Ginger appears with a bow.

Given the romantic nature, this song is evidently associated with Isabella's affections for Phineas.

White coat with purple skirt, ice skates, and her regular winter hat but darker (end credits).

White coat with dark purple pants, boots, and hat with dalmatian design (end credits).

Her regular winter outfit, with scarf and mittens added.

Fuzzy dark purple hooded coat, with indigo leggings and dark purple boots.

Light purple hooded coat with her hair tucked in, with light purple muff.

Same as above, with a white coat with bow at neck.

Outfits Isabella wears during the song:.

It is one of many winter-related songs associated with the Christmas season, despite there being no direct reference to Christmas in the song. The song was written in July 1945 in Hollywood, California during one of the hottest days on record.

Let it Snow, Let it Snow, Let it Snow was written by lyricist Sammy Cahn and composer Jule Styne in 1945.

View the image gallery for Let it Snow, Let it Snow, Let it Snow. How I'll hate going out in the storm! (in the storm)īut if you'd really hold me tight, (hold me tight)

And that’s a true testament to both Snow Patrol’s original songwriting and the impressive creativity of the contestants.When we finally kiss goodnight, (kiss goodnight) Over the course of the contest, the high-quality remixes of Fallen Empires racked up more than 70,000 listens in just a few short months. The second and third place winners received €1,000 and €500 in gear respectively.

“The rest fell into place very quickly, because the song already had the required rock attitude.”įor his efforts Koppelomäki took home Shure equipment of his choosing worth €1,500. “I really liked the original track, the lyrics and the melodies – but as a fan of rock and metal music I decided to speed up the track, play my own guitars and add some of my own drums,” he said. Koppelomäki’s complete revamp of the band’s song featured hard-rocking guitars and hammering drums. Snow Patrol’s verdict was clear: “This remix is massive. The winning entry came from Finland’s Juha-Matti Koppelomäki, a university student and former studio intern. The creative contestants sent in a highly diverse selection of musical genres: From lush orchestral arrangements and stripped-back acoustic interpretations to hard rock and techno versions.Īfter a Shure jury shortlisted 20 submissions, the band picked their three favorite remixes. Our call to budding remix masters and DJs garnered more than 600 entries. A good remix highlights good songwriting, so everyone at Shure was excited when the UK band Snow Patrol agreed to let their track Fallen Empires be used for Europe-wide competition in 2012. The beautiful thing about a well-crafted song is how it holds up to new interpretation.